Tracklist:
1. Ninth
Nocturnal Departure
2. Commanding
Armageddon
3. Hours
of Eternity and Death
4. Dark
Northern Winters
5. Descending
6. I Am
the Plague
Desecration (2003) was the band’s first full length
release and it came after Pest had
already put out five Demo’s and an EP. The band then comprised of “Necro” on dums,
guitars and vocals, and “Equimanthorn” providing further guitars and bass.
It is immediately
clear that this album is not the shoddy work of inexperienced amateurs, instead
it is a product of pure hatred and darkness. Considering that this album was
released long after the golden days of true raw black metal, it could easily
fit into that era and be just as cold, raw and aggressive as any of its competitors.
Everything
from the chainsaw guitar work, to the pounding drums, to the hate filled vocals
of Necro has an incredibly intense and tight feel that really shows just how
musically capable the band was at this point in their career.
My personal
favourite track on the album is Dark
Northern Winters, it’s such a harsh track that it completely overpowers the
listener. In contrast to Dark Northern
Winters speed and brutality, Descending
has a much slower, far gloomier pace that gives the latter half of the album
good contrast.
Overall
this is a truly stunning album that is a must for fans of raw, cold black metal
of the kind we once saw with bands such as Darkthrone
and Mütiilation.
Tracklist:
1. Thrones
Ablaze
2. Beyond
Redemption
3. In
Total Contempt
4. A
Vengeance Rising
5. Cold
Stare
6. Slaves
of Celestial Bounds
7. Dreams
of Life Seem Morbid
8. Into
Deep Black Halls
After the
release of the excellent Dauðafærð EP
in 2004, Necro and Equimanthorn
once again came together in 2005 to make their second full length album, In Total Contempt.
The album begins
to beat the listener black and blue from the very first track, with almost the
same extremely harsh and raw sound that we heard in Desecration. Although this album isn’t as aggressive, for the most
part, as Desecration, instead it at
times replaces raw brutality with some technicality and slightly slower gloom,
while still delivering a very raw sound. This is especially true for the track A Vengeance Rising which does have a strong
pounding speed element but also delivers an element of gloom that we probably wouldn’t
have heard in Desecration.
Necro once
again delivers extremely harsh and almost cruel vocals that are possibly not as
raw as his vocal work on Desecration,
but are still none the less impressive.
Ultimately I
don’t think this album is as strong as its predecessor, it’s still an extremely
harsh. raw black metal album that is worth taking the time to check out, but it
doesn’t have the timeless quality of Desecration.
Overall this is a very solid album, certainly better than In Total Contempt and approaching the quality of Desecration for sure.
Tracklist:
My personal favourite
tracks on this one are The Abomination of
the God and Eternal Curse both of
which have a sound reminiscent of later Darkthrone,
and both have a very dark atmospheric feel that makes them extremely
interesting to listen to.
Tracklist:
1. Possessed
by the Beast
2. Nights
in the Cursed Chapel
3. Blessed
by Hellfire
4. Rest in
Morbid Darkness
5. Bestial
Crucifixion
6. Vomit
Up the Blood of Jesus
7. Shadows
of the Dead
8. Final
Strike of Doom
9. The
Lust for Cruelty
Rest in Morbid Darkness (2008) came three years after the
last album, during those three years the band had made some changes to both
their musical and aesthetic style, as can be seen by the new logo which was
introduced in the 2006 EP Evil Returnm, and
the change in album artwork style.
Even though the band’s sound had switched fairly
dramatically from Desecration on this
release it was still created by the same line up of Necro and Equimanthorn.
This album
is certainly taking the band’s music in a different direction, one that
introduces more technicality than we heard in In Total Contempt, and one that still allows moments of the raw
fury of the kind that we heard in Desecration.
The band’s changing sound is perfectly summarised in the last track on the
album, The Lust for Cruelty, which is
around 15 minutes long and sounds like something from the Darkthrone album Panzerfaust.
It is a perfect blend of pounding drums, noticeable riffs, and typically
harsh vocals.
On the
subject of riff work, this album is the first full length from Pest that has clearly definable and notably
individualised riff’s that don’t just blend into one long blur of savagery, and
maintain a constant sound.
Overall this is a very solid album, certainly better than In Total Contempt and approaching the quality of Desecration for sure.
1. The
Funeral Hours (instrumental)
2. A Face
Obscured by Death
3. Volcanic
Eyes
4. Devil's
Mark
5. Holocaust
6. The
Abomination of the God
7. Thirteen
Chimes
8. Demon
9. The
Crowning Horror
10. Eternal
Curse
With a
total of five years between the release of Rest
in Morbid Darkness and this album, The
Crowning Horror (2013) certainly had a lot to live up to, not mention that
this album was the band’s first chance to introduce a new member to the line-up
and the first to change roles played by its members.
Instead of the usual line
up that we saw with their previous full lengths, this album features both Necro
and Equimanthorn providing vocals, with Equimanthorn only providing vocals for
the tracks Volcanic Eyes and Thirteen Chimes. It also features
further drum work provided by “Insulter” who was formally the drummer for
Nifelheim.
This album
is clearly the culmination of the gradual progression of Pest’s music. It is much slower and far more refined than any of
their other releases, and features a lot of strong melodic elements that we
wouldn’t have heard on previous work.
It still
however has a harsh core to it that is, as usual, displayed mostly through Necro’s
vocals, but not so much through Equimanthorn’s.
To me, Pest is a hugely important band, their martial may not have
always been the most original, but no matter what style they played, it was
always clear that it was from a cold, dark place, that most bands fail to write
from. I thoroughly recommend looking into their work!
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